St. Nicholas church

St. Nicholas Church, known locally as St. Nikolai, is a captivating landmark nestled in the heart of Bad Freienwalde, Brandenburg. This architectural gem stands proudly near the town hall, offering visitors a glimpse into the rich historical tapestry of the region. As you wander through the charming streets of Bad Freienwalde, the church's striking silhouette and intricate brickwork immediately draw the eye, inviting you to explore its storied past and beautiful interiors.

The History of St. Nicholas Church

The origins of St. Nicholas Church date back to the third quarter of the 13th century, when it was first constructed, likely replacing a wooden chapel that stood on the same site. Over the centuries, the church has undergone numerous transformations, reflecting the evolving architectural styles and the resilience of the community it serves. In the mid-15th century, the church was remodeled into a Gothic brick structure, a style that remains evident today.

Significant changes occurred between 1518 and 1522, when the tower was erected, and the south aisle was elevated, giving the church its distinctive appearance. Despite suffering damage from fires in 1584 and 1637, which severely affected the tower, the church was rebuilt and restored, showcasing the community's determination to preserve their spiritual home. By 1653, following the devastation of the Thirty Years' War, the tower was reconstructed, and the church continued to stand as a beacon of hope and faith.

Exploring St. Nicholas Church

As you step inside St. Nicholas Church, you're greeted by a serene and contemplative atmosphere. The interior is a harmonious blend of historical elements and artistic craftsmanship. The choir, illuminated by five tall, pointed arch windows, is a highlight, bathing the space in natural light and creating a tranquil ambiance. The star vaulting adds a touch of elegance, drawing the eye upwards to the heavens.

The church's nave, with its galleries and visually heavy ceiling, offers a contrasting experience. The ceiling, adorned with a network of ribs, is a unique feature resulting from the 1637 tower fire. The masons who rebuilt it in 1653, though not master vault builders, managed to create a space that is both intriguing and historically significant.

The Treasures Within

St. Nicholas Church is home to a remarkable collection of art and artifacts that tell the story of its rich heritage. The high altar, dating back to 1622-1623, is a masterpiece of stone and wood. The predella features a painting of the Last Supper, while the upper tiers are adorned with scenes from the Salvation History, flanked by statues of the apostles Peter and Paul.

The pulpit, also from 1622, is likely the work of the same artist who crafted the altar, showcasing a cohesive artistic vision. The baptismal font, a relic from the 13th century, is a testament to the church's long-standing history, standing at one meter high with a chalice-like design supported by a columned base. The brass baptismal bowl, crafted in Nuremberg in the 16th or 17th century, adds a touch of historical elegance.

Musical Heritage and Artistic Legacy

The church's organ, with its three-part prospect by Joachim Wagner from 1728, is a highlight for music enthusiasts. Although the interior workings were replaced in 1899 and again in 1976, the organ remains a vital part of the church's musical tradition. The gallery, constructed alongside the organ, provides a perfect vantage point to appreciate the church's acoustics and architectural beauty.

Among the church's artistic treasures are two portraits of Caspar von Uchtenhagen, the last of his line. One painting depicts him as a four-year-old holding a pear, a nod to a tragic tale of poisoning, while the other shows him at nine years old, lying in a coffin. The original painting was stolen in 1991, but a copy now hangs in its place, preserving the poignant story.

Memorials and Bells

St. Nicholas Church also serves as a place of remembrance, with several epitaphs adorning its walls. The epitaph of Simon Christian von Schröder (†1728) hangs on the north side, while the choir houses the memorial of Ludwig Felix von Borcke (1702–1751). A commemorative plaque for Johannis Nicolai Holtorff and his wife Susanna, née Spener, graces the south side of the nave.

The church's bells have a storied past, having been recast and replaced multiple times due to fires and wartime requisitions. Today, only one bronze bell from the original set remains, alongside bells from 1925 and 1957, each contributing to the church's enduring legacy.

In conclusion, St. Nicholas Church is not just a place of worship; it is a living testament to the resilience and spirit of Bad Freienwalde. Its walls and artifacts echo stories of faith, artistry, and community, making it a must-visit destination for those exploring the region's rich cultural tapestry.