Standing proudly at the edge of the old town of Molfetta, overlooking the serene waters of the Adriatic Sea, the Cathedral of Saint Conrad (Duomo di San Corrado) is a magnificent testament to the rich history and architectural splendor of the region. This former cathedral, which served as the spiritual heart of Molfetta until 1785, is now a symbol of the city and a must-visit for anyone exploring this picturesque part of Italy.
The origins of the Cathedral of Saint Conrad date back to the 12th century. Construction began around 1150 and continued until the late 13th century. Originally dedicated to Santa Maria Assunta, it was the only parish church in Molfetta until 1671. In 1785, the diocesan seat was moved to the Church of the Jesuit College, and the cathedral was rededicated to Saint Conrad, the patron saint of Molfetta.
Throughout its history, the cathedral has seen numerous changes and renovations, each adding to its unique character. The building stands as a singular example of Apulian Romanesque architecture, characterized by its asymmetrical basilica plan and the distinctive use of domes in the central nave.
The Cathedral of Saint Conrad is renowned for its striking architectural features. The structure is divided into three naves by cruciform pillars with attached columns. The central nave is particularly notable for its three domes, aligned in a row, with the central dome towering higher than the others. These domes rest on hexagonal drums, a feature that distinguishes the cathedral from other Romanesque churches in the region.
The lateral naves are covered with single-sloped roofs, each with tiles made from the same type of stone used for the famous trulli of the Itria Valley. The three central domes are also covered with diamond-pointed tiles, converging towards the center to complement the hexagonal base.
The western facade, which now serves as the main entrance, is relatively austere compared to the southern facade. The latter is adorned with three late Renaissance windows, coats of arms of high prelates, an image of Pope Innocent VIII, and statues of Saint Conrad and Saint Nicholas. This contrast can be attributed to the fact that, until 1882, the western facade and the entire western side of the old town were directly above the sea, as evidenced by rare photographs from before the construction of the Seminario quay.
One of the most distinctive features of the Cathedral of Saint Conrad is its twin towers. These square-based, three-story towers rise to a height of 39 meters and are open on all four sides with bifora and monofora windows. The southern tower, known as the bell tower, houses the physical bells, while the northern tower, closer to the sea, was historically used as a lookout for potential Saracen incursions.
Inside, the cathedral's artistic decor is sparse but significant. Among the notable features are a 1518 baptismal font, a precious 14th-century altarpiece with bas-reliefs, a 12th-century stone pluteus depicting a pontifical ceremony, and a 13th-century Redeemer. One of the most intriguing pieces is a 12th-century holy water font, depicting a man, likely a Saracen, holding a basin with a fish swimming inside, a recurring symbol in religious iconography.
The main altar, located in the semicircular apse, is in the Baroque style, adding a touch of grandeur to the otherwise simple interior.
Today, the Cathedral of Saint Conrad stands as a symbol of Molfetta, embodying the city's rich history and architectural heritage. Its imposing presence by the harbor, with the twin towers reaching towards the sky, makes it an unmissable landmark for visitors. The cathedral not only offers a glimpse into the past but also provides a serene place for reflection and admiration of the craftsmanship of bygone eras.
Whether you are a history enthusiast, an architecture aficionado, or a casual traveler, the Cathedral of Saint Conrad promises a captivating journey through time. Its unique blend of historical significance and architectural beauty ensures that it remains a cherished treasure of Molfetta, inviting all who visit to explore its hallowed halls and discover the stories etched into its very stones.
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