In the heart of the charming town of Portici, Italy, lies a gem of historical and religious significance: the Basilica of Santa Maria a Pugliano. Known locally as Basilica di Santa Maria a Pugliano, this ancient church is not only the oldest in the area but also a testament to the rich cultural tapestry of the Vesuvian region. With its fascinating history, stunning architecture, and deep-rooted traditions, the basilica invites visitors to step back in time and explore a piece of Italy's spiritual heritage.
The origins of the Basilica of Santa Maria a Pugliano date back to the 11th century, when it began as a modest oratory dedicated to the Virgin Mary. The name Pugliano is believed to derive from praedium pollianum, referring to a suburban estate of Herculaneum owned by a certain Pollio or Pollione. This early sanctuary quickly gained prominence, as evidenced by a noblewoman's donation in 1076 and the adaptation of two pagan marble sarcophagi from the 2nd and 4th centuries AD into Christian altars.
As the centuries passed, the basilica's significance grew. In the 14th century, the beautiful wooden statue of the Madonna delle Grazie, or Madonna di Pugliano, was crafted in a French style and placed on the main altar. This statue became a focal point of veneration, drawing pilgrims from all over the Vesuvian region. By 1574, the church was recognized as a pontifical basilica, and two years later, it was established as a parish with spiritual jurisdiction over a vast area between Mount Vesuvius and the sea.
The 16th century marked a period of great transformation for the Basilica of Santa Maria a Pugliano. The construction of a magnificent marble portal, now sealed, and the addition of two stunning maiolica domes and a bell tower, elevated the church's architectural grandeur. Despite the devastation wrought by the 1631 eruption of Mount Vesuvius, the basilica miraculously survived, with the lava flow splitting and sparing the hill of Pugliano.
In the 17th century, further enhancements were made, including the reorientation of the church and the creation of a new facade with a four-arched portico. The addition of the Terra Santa, the first cemetery of Resina (the former name of Ercolano), on the church's side facing Via Trentola, added to the basilica's historical significance. This cemetery was used until 1906, making it one of the last urban cemeteries in Italy.
Stepping inside the Basilica of Santa Maria a Pugliano, visitors are greeted by a stunning example of late Baroque architecture. The church's Latin cross layout features three naves and an asymmetrical transept, adorned with artistic treasures that span centuries. Among the most notable are the marble slabs from the ancient sarcophagi, two Roman-era basins repurposed as holy water fonts in 1584, and the exquisite wooden statue of the Madonna delle Grazie from the early 14th century.
The main altar, dating from the late 16th century, and the intricately carved walnut pulpit and choir from 1685, showcase the craftsmanship of the period. The church also houses a 17th-century wooden bust of Saint Januarius and a 1425 baptismal font, one of the oldest outside Naples. The collection of paintings, mostly by local artists, includes works from the 16th century, such as the Baptism of Jesus and the Virgin with Saint Sebastian and Saint Roch.
Adjacent to the basilica, on the left side of the facade, is the Church of the Real Archconfraternity of the Holy Trinity. Founded in the 15th century, this confraternity was granted the title of Archconfraternity by King Ferdinand II of Bourbon in 1850 and by Pope Pius IX in 1851. The interior of this church features a barrel-vaulted ceiling with gilded coffers, a marble throne with Corinthian columns in the apse, and a wooden intarsia choir from the 18th century.
In the 19th century, the Basilica of Santa Maria a Pugliano underwent further modifications. The chapel of the Real Archconfraternity of the Holy Trinity was built to the left of the bell tower in 1843, and in 1860, the outermost arch was sealed to create a two-story tower with a clock. The basilica's historical significance was further highlighted when Pope Pius IX, in exile in Portici, visited in 1849. In 1875, the statue of the Madonna delle Grazie was solemnly crowned.
Today, the Basilica of Santa Maria a Pugliano continues to be a vibrant center of worship and community life. The patronal feast of the Assumption of Mary is celebrated on August 15th, drawing locals and visitors alike to honor the Madonna di Pugliano. This celebration, along with the basilica's rich history and artistic treasures, makes it a must-visit destination for anyone exploring the beautiful region of Portici.
In conclusion, the Basilica of Santa Maria a Pugliano is not just a church; it is a living testament to the enduring faith and resilience of the Vesuvian people. Its walls echo with centuries of devotion and artistry, inviting all who enter to experience a piece of Italy's spiritual and cultural heritage.
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