In the heart of the charming Italian town of Rovigo stands the Duomo, or as it is known locally, the Duomo di Rovigo. This magnificent structure, dedicated to Saint Stephen, Pope and Martyr, is not only a co-cathedral of the Diocese of Adria-Rovigo but also serves as a parish church. Declared a national monument of Italy, the Duomo is a testament to centuries of history, faith, and architectural evolution.
The origins of the Duomo trace back to a papal bull from 920, which authorized Bishop Paolo of Adria to temporarily move his residence to Rovigo and build a fortification to protect against barbarian and heretical raids. The initial place of worship in Rovigo likely dates from the 8th or 9th century, with the first documented reference to the parish of Santo Stefano appearing in 964.
In 1067, Bishop Benedetto laid the first stone of a new church near the Fossa Filistina (an ancient name for the Adigetto River). Completed under his successor Atto, the church became a collegiate parish around 1073. The church and the town survived the devastating Ficarolo flood in the late 12th century, and by the mid-15th century, the Duomo underwent another reconstruction, culminating in its consecration in 1461.
By the late 17th century, the Duomo was in such a state of disrepair that a complete reconstruction was necessary. The Padovan architect Gerolamo Frigimelica designed a new, larger church, nearly double the size of its predecessor. The foundation stone was laid in 1696, and by 1711, the new structure was sufficiently advanced to allow for the demolition of the old Duomo and the celebration of the first Mass in the new building.
However, it wasn't until 1729 that the construction was truly completed, with the notable exceptions of the dome and the facade. The dome, initially built between 1770 and 1778, had to be demolished in 1785 due to structural weaknesses and was eventually reconstructed by Giuseppe Sabatini and completed by Giacomo Quaglia in the early 19th century.
The facade of the Duomo remains unfinished to this day. It presents a simple brick wall, with the only decorative elements being the 19th-century portal and a statue of Christ the Redeemer placed above it. This statue, installed in 1901, was a gift from the Catholic associations of the Diocese. Despite various attempts and designs proposed over the centuries, including a neoclassical facade designed by Lorenzo Urbani in 1825 and an eclectic design by engineer Antonio Mazza in 1905, the facade has never been completed.
Stepping inside the Duomo reveals a treasure trove of artistic and historical significance. Among the most notable works is a fragment of a 15th-century fresco depicting the Madonna delle Grazie, originally from the demolished baptistery. This fragment is now part of a canvas by Giovanni Antonio Di Pieri, known as Lo Zoppo, which also features Saint Michael, Saint John the Evangelist, Saint Dominic, Saint Gaetano Thiene, Saint John Nepomucene, and Saint Thomas the Apostle.
Other significant artworks include a 16th-century painting of Saint Anne, the Madonna, and Saint Francis Xavier by an anonymous Venetian artist, and a depiction of the Virgin Mary giving the scapular to Saint Simon Stock by Andrea Michieli, known as Il Vicentino. Additionally, Jacopo Palma il Giovane's 1625 painting of the Risen Christ with Saint Bellino and Saint Stephen, and a Virgin with Child attributed to the same artist, are preserved in the sacristy.
Further enriching the Duomo's interior are Tommaso Sciacca's Saint Stephen Baptizing Lucilla and Lorenzo Masucci's 1772 crucifix with Saints John of Matha and Felix of Valois. The tabernacle, crafted in 1718 by sculptor Andrea Corradini, features statuettes of the Risen Christ, Hope, and Faith, while a 16th-century bronze candelabrum by Desiderio da Firenze adds to the church's artistic heritage.
The Duomo also houses a significant musical instrument: its organ, located in the two choir lofts flanking the main altar. Originally built by organ maker Cipriani of Stanghella around 1858, the organ has been expanded over the years by Annibale Pugina in 1930 and Tamburini in 1960. It features three manuals and a pedalboard, providing a rich musical backdrop to the church's liturgical celebrations.
The Duomo di Rovigo stands as a symbol of the town's resilience and faith, its walls echoing with centuries of history and devotion. Whether you're an art lover, a history enthusiast, or simply a curious traveler, a visit to the Duomo offers a glimpse into the rich cultural tapestry of Rovigo and the enduring legacy of this remarkable church.
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