Santi Pietro e Paolo

The Santi Pietro e Paolo, also known locally as Chiesa dei Santi Pietro e Paolo, stands as a magnificent testament to the rich history and architectural brilliance of Saronno, Italy. Nestled in the province of Varese and under the jurisdiction of the Archdiocese of Milan, this cathedral is not just a place of worship but a beacon of the town's cultural and historical tapestry.

The History of Santi Pietro e Paolo

The origins of the Santi Pietro e Paolo date back to 1169 when it was first mentioned in historical records as part of the vicariate of Nerviano. Originally dedicated to Saint Mary, the church underwent a significant transformation in the 16th century when it was rededicated to Saint Peter, and later to Saint Paul, by the Archbishop of Milan, Carlo Borromeo. This change marked the beginning of a new era for the church, aligning it more closely with the evolving spiritual and cultural landscape of the region.

In 1583, Archbishop Borromeo called upon the community of Saronno to renovate the church's decorations, which at the time were quite austere. By the mid-18th century, the church's congregation had grown significantly, prompting a major reconstruction project. Between 1772 and 1783, the church was rebuilt according to the designs of Giulio Galliori, resulting in the stunning structure that visitors admire today. The church continued to evolve, with significant expansions carried out from 1896 to 1902 under the guidance of Paolo Cantù, leading to its reconsecration on October 22, 1904, by Cardinal Andrea Carlo Ferrari.

In 1923, Pope Pius XI granted the church the prestigious title of being aggregated to the Vatican Basilica, further cementing its importance within the Catholic Church. The church's interior was beautifully decorated in 1926, adding to its grandeur and spiritual ambiance.

Exploring the Exterior

The exterior of Santi Pietro e Paolo is a masterpiece of neoclassical architecture. The church faces west, with an expansive forecourt leading up to its impressive façade. The façade itself is divided into two distinct orders. The lower order features six pilasters complete with bases and crowned with Ionic capitals, dividing the façade into five sections, each with its own entrance. The central entrance is the largest, flanked by pilasters and an architrave supporting a triangular pediment. The other entrances are similarly adorned, with alternating triangular and semicircular pediments adding a dynamic visual rhythm to the structure.

The upper order, smaller in scale, continues the architectural theme with four central pilasters. Two large statues of the titular saints, Saint Peter on the left and Saint Paul on the right, occupy niches flanking a central window that floods the interior with natural light. The window is topped with a dentilated triangular pediment, adding to the classical elegance of the design. The façade is further embellished with bas-reliefs depicting scenes from the lives of Saints Peter and Paul, providing a rich narrative element to the architectural composition.

The Interior Treasures

Stepping inside Santi Pietro e Paolo, visitors are greeted by an array of artistic and spiritual treasures. Among the most notable is the statue of the Immaculate Conception, originally housed in the church of San Francesco. Another significant piece is a 17th-century wooden crucifix, which was transferred from the now-defunct church of San Cristoforo, giving rise to the traditional festival of the Trasporto.

The church also boasts several exquisite altarpieces, including depictions of Saint Charles, Saint Ambrose, and the Eternal Father, the latter likely painted by the renowned artist Gaudenzio Ferrari. These works have been meticulously restored, returning them to their original vibrant hues. The main altar, crowned with a statue of the Redeemer created in 1979, serves as the focal point of the church's interior, drawing the eye and inspiring contemplation.

The Majestic Organs

The church is home to two magnificent pipe organs, housed in twin monumental cases on the balconies flanking the presbytery. The southern organ, originally built by the Serassi brothers in 1821, has undergone several expansions and modifications over the years, including work by Antonio de Simoni-Carrera in 1862 and Vittore Ermolli in 1902. The northern organ, crafted by the German organ builder Paul Ott in 1962 for a church in Düsseldorf, was relocated to Santi Pietro e Paolo in late 2021 after a thorough restoration and adaptation by Saverio Anselmi Tamburini.

In conclusion, Santi Pietro e Paolo is not just a church; it is a living monument to the faith, artistry, and history of Saronno. Its walls echo with centuries of devotion, its artworks inspire awe and reverence, and its music lifts the soul. A visit to this remarkable basilica offers a profound journey through time, faith, and beauty, making it an essential destination for anyone exploring the cultural and spiritual heritage of Italy.