Nestled in the charming town of Schwäbisch Gmünd, the Stauferfries is a remarkable piece of public art that captures the imagination of all who pass by. This 60-meter-long stainless steel mural is a testament to the artistic vision of Helmut Maximilian Gruber-Ballehr and a tribute to the rich history of the Staufer dynasty.
The Stauferfries depicts a grand historical moment: the entry of the last Staufer, Konradin, into Schwäbisch Gmünd in 1266. As you gaze upon this intricate artwork, you can almost hear the clatter of hooves and the murmur of the crowd gathered to witness this significant event. Konradin, a young king at the time, is shown riding majestically from left to right, surrounded by his entourage.
The scene is rich with symbolism. Banners flutter in the breeze, bearing the Jerusalem cross, the Sicilian eagle, and the Swabian three lions, representing Konradin's titles as King of Jerusalem, King of Sicily, and Duke of Swabia. The town's dignitaries approach from the opposite direction, ready to present the keys of the city in a gesture of allegiance.
The Stauferfries is not just a visual spectacle; it's a masterclass in the art of silhouette. Each of the ninety figures, along with the flags and intricate details, is laser-cut from stainless steel. This technique creates a striking contrast against the brick wall of the Remsgalerie shopping center, where the mural is mounted. During the day, the figures shine brightly, casting dynamic shadows that shift with the sun. At night, the mural takes on a different character, as LED lights illuminate the spaces between the figures, creating a reverse silhouette effect.
At the forefront of Konradin's procession are musicians, setting the scene with a fanfare. Directly behind him rides his close friend, Friedrich von Baden, followed by noble ladies and gentlemen, knights, and flag bearers. The procession concludes with a huntsman, a falconer, and a dog handler, illustrating the grandeur and diversity of medieval life.
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The journey to bring the Stauferfries to life began with a 15-meter-long brush painting by Gruber-Ballehr, which was exhibited in 2013. The artwork received enthusiastic support, leading to its transformation into a detailed pencil drawing and eventually into a vectorized CAD design. This meticulous process ensured that the final steel cut was both stable and artistically coherent.
In 2019, the non-profit association Stauferfries e. V. was established to oversee the project, gather donations, and manage legal aspects. The community's support was overwhelming, with many individuals and organizations sponsoring figures within the mural. The first section was installed in July 2022, and the entire piece was completed and gifted to the city in June 2024.
The historical accuracy of the depiction was guided by medievalist Hubert Herkommer, although some artistic liberties were taken to enhance the narrative, such as the inclusion of Friedrich von Baden, who accompanied Konradin throughout his life.
Visiting the Stauferfries is a must for anyone exploring Schwäbisch Gmünd. Its location on the bustling Ledergasse makes it easily accessible, and the artwork itself serves as a captivating focal point for the area. Whether you're a history enthusiast, an art lover, or simply a curious traveler, the Stauferfries offers a unique glimpse into the past, beautifully intertwined with modern artistic expression.
As you stand before this monumental mural, take a moment to appreciate the craftsmanship and the story it tells. The Stauferfries is more than just a piece of art; it's a bridge connecting the present with a storied past, inviting you to step into a world of knights, kings, and the enduring legacy of the Staufer dynasty.
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