St. Vitus und Anna

St. Vitus und Anna, affectionately known as the Ettendorfer Kircherl, is an enchanting gem nestled in the serene landscape of Bavaria, Germany. This charming church, with its distinctive onion dome, stands proudly on a hill just outside the village of Ettendorf, a part of the Surberg community. Visible from Traunstein's bustling town center, it offers a picturesque glimpse into Bavaria's rich spiritual and architectural heritage.

The Historical Tapestry of St. Vitus und Anna

The origins of St. Vitus und Anna stretch back to the early 12th century, marking it as a site of deep historical significance. The church's long-standing spiritual importance is highlighted by its role as a pilgrimage destination since the early 13th century. The current structure, a testament to the late Gothic style, was built in the 15th century. The oldest part, the choir, bears the inscription 1431, hinting at its medieval roots. The church's tower and nave were completed in the 1470s, showcasing the craftsmanship of the era.

A significant event in the church's history was the consecration of its altar on May 20, 1451, by Silvester Pflieger. The tower's iconic onion dome, added in 1726 by master builders Johann Modlhammer and Anton Rungraber, adds a baroque flair to the Gothic structure, blending styles harmoniously.

Architectural Marvels and Artistic Treasures

Stepping into St. Vitus und Anna is like entering a time capsule of artistic and architectural wonder. The church's portal, adorned with intricate ironwork crafted in 1487 by the Traunstein blacksmith Hanns, welcomes visitors into a world of historical artistry. The wooden choir screen, a baroque masterpiece from 1750, adds to the church's rich interior.

The gallery, built by Master Caspar in 1512, is a splendid example of late Gothic architecture. The paintings on the gallery's balustrade, created by Hanns Amberger between 1513 and 1514, depict biblical scenes with vivid detail, offering a glimpse into the religious narratives of the time.

The Splendor of the High Altar

The high altar, constructed in 1718 by Johann Wolfgang Dersch, is a focal point of the church's interior. It mirrors the design of the altar in the Traunstein parish church of St. Oswald. The figures adorning the altar, crafted by Georg Pämer between 1681 and 1692, include depictions of Mary with her parents Joachim and Anna, and saints such as St. Ulrich and St. Florian. Above them, God the Father is surrounded by angels, creating a celestial scene.

The altarpiece, attributed to the Traunstein painter Johann Anton Frank, portrays St. Vitus as an intercessor for Traunstein, adding a local touch to the church's spiritual narrative. The tabernacle, a Rococo creation, further enhances the altar's elegance.

Side Altars and Frescoes

The church's side altars, built in 1721 by Johann Wolfgang Dersch, feature paintings by Johann Anton Frank. On the left, the Seven Holy Helpers and St. John Nepomuk are depicted, while the right altar showcases St. Leonard, the patron saint of prisoners, and St. Afra. These artworks provide a rich tapestry of religious iconography.

Along the nave walls, six large paintings from the 1720s illustrate the life of St. Vitus, offering a visual journey through the saint's story. A striking fresco on the north wall depicts the Fourteen Holy Helpers in three tiers of arcades, a creation from the late 17th century that adds to the church's artistic allure.

The Musical Heritage of the Hans Vogl Organ

The church's organ, crafted by Hans Vogl in 1669, is a rare treasure. As one of Bavaria's oldest church organs, it features a unique mid-tone tuning and a short octave with five registers on a manual. The instrument's restoration from 2001 to 2005 returned it to its original state, preserving its historical sound.

The Resonance of the Bells

The bells of St. Vitus und Anna, tuned to gis1, h1, and cis2, add a melodic backdrop to the church's serene setting. The h-bell, cast by the Munich bell founder Langenegger in 1726, is a historical artifact, while the other two bells were added after World War II, continuing the church's tradition of calling the faithful to worship.

St. Vitus und Anna is not just a church; it is a journey through time, a sanctuary of art and faith, and a testament to the enduring spirit of the Bavarian landscape. Whether you are a history enthusiast, an art lover, or a spiritual seeker, a visit to this charming church offers a rich tapestry of experiences that linger long after you leave its hallowed grounds.