Church Alt-Weil, known locally as Evangelische Kirche Alt-Weil, is a historical gem nestled in the charming town of Weil am Rhein in Baden-Württemberg, Germany. This church, with its striking architectural features and rich history, stands as a testament to the town's enduring spirit and cultural heritage.
The history of Church Alt-Weil stretches back over a millennium, with its first documented mention in 786. This makes it the oldest church in Weil am Rhein. The original church, constructed entirely of wood, was part of a bequest to the monastery of St. Gallen by a nobleman named Ercanbert. By 1323, the church had seen significant development, including the consecration of a high altar by the Vicar of Bishop Rudolf III of Montfort, dedicated to Saints Gallus, Blasius, and Ægidius, and a side altar in honor of Mary, Saint Catherine, Margaret, and Barbara.
The church's history is marked by numerous reconstructions and renovations, often necessitated by the ravages of war. During the Thirty Years' War, the church suffered extensive damage, with its most significant destruction occurring in 1633 when imperial troops set the town ablaze. Despite these challenges, the community's resilience ensured the church's continual restoration and upkeep.
The current structure of Church Alt-Weil, as we see it today, began taking shape in the late 18th century. In 1783, recognizing the need for a more substantial and modern building, the local pastor initiated plans for a new church. This ambitious project required acquiring new land and extensive community effort. By 1789, construction commenced under the guidance of Landesbaumeister Wilhelm Jeremias Müller. The new church, retaining the original tower, was completed and consecrated in September 1791.
In 1825, the church tower was elevated to accommodate a third bell, enhancing its presence in the town's skyline. This addition was designed in a classical style, featuring double arcades, a surrounding balustrade, round corner columns, and a pyramidal roof, creating a harmonious blend with the existing structure.
Church Alt-Weil's architectural design is a harmonious blend of simplicity and elegance. The rectangular nave, covered by a saddle roof, is complemented by the northwest tower, which also features a saddle roof oriented perpendicular to the nave. The church's exterior is punctuated by large, semi-circular windows that allow natural light to flood the interior, creating a warm and inviting atmosphere.
Inside, the church boasts a bright and spacious interior with a flat ceiling adorned with decorative moldings and dentil friezes. The western gable end, along with parts of the nave walls and the chancel, are lined with galleries. The organ, installed in the chancel, adds to the church's musical heritage.
Notable features within the church include the baptismal font and the baroque pulpit with a sound cover, both dating back to 1323. A remarkable wooden crucifix, donated by the Arlesheim Cathedral Chapter in 1717, is a focal point, featuring an unusual detail: the figure of Christ has six toes on his left foot, symbolizing his divine nature.
The church's bell tower houses a quartet of bells, each with its unique history and tone. The smallest bell, tuned to C', was cast in 1920, while the three larger bronze bells, tuned to F', A-flat', and B-flat', were crafted by Bachert of Karlsruhe in 1950.
The original organ, built between 1790 and 1803 by Philipp Schäfer, has undergone several modifications. In 1967, G. F. Steinmeyer & Co. installed a new mechanism with a slider chest, expanding the organ to three manuals, a pedal, and 24 registers. A Rückpositiv, added in 1979, brought seven additional registers. The organ was extensively renovated in 2018, ensuring its continued use for years to come. Additionally, a chest organ with four registers, built by Georges Heintz, has been part of the church since 1984.
Church Alt-Weil is also a place of remembrance, with numerous epitaphs and gravestones commemorating notable figures from the town's history. Inside the nave, the north wall features baroque-framed epitaphs dedicated to Joh. Christoff von Berenfels and his family, while the south facade of the nave displays gravestones of local dignitaries, including pastors and bailiffs. A particularly poignant memorial is the gravestone of Gustave Fecht, a close friend of the dialect poet Johann Peter Hebel, located on the exterior of the chancel.
Today, Church Alt-Weil continues to serve the local Protestant community as a parish church. Its rich history, architectural beauty, and serene atmosphere make it a must-visit for anyone exploring Weil am Rhein. Whether you are a history enthusiast, an architecture aficionado, or simply seeking a tranquil place for reflection, Church Alt-Weil offers a unique glimpse into the past and a peaceful respite in the present.
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